Iranian playwright Nassim Soleimanpour’s latest theatrical work is an audacious experiment exploring the power of language to unite us in these uncertain times. No rehearsals. No preparation by the actor—a different actor at every performance. Only a sealed envelope with the actor reading the script for the first time in front of us. Oh, and some surprises. The Stage calls it “a tantalizing theatrical provocation that breaks down all walls between stage and audience.”
Iranian playwright Nassim Soleimanpour’s latest theatrical work is an audacious experiment exploring the power of language to unite us in these uncertain times. No rehearsals. No preparation by the actor—a different actor at every performance. Only a sealed envelope with the actor reading the script for the first time in front of us. Oh, and some surprises. The Stage calls it “a tantalizing theatrical provocation that breaks down all walls between stage and audience.”
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